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An essay by Agnes Repplier

The Condescension Of Borrowers

Title:     The Condescension Of Borrowers
Author: Agnes Repplier [More Titles by Repplier]

"Il n'est si riche qui quelquefois ne doibve. Il n'est si pauvre de qui quelquefois on ne puisse emprunter."--_Pantagruel_.

"I lent my umbrella," said my friend, "to my cousin, Maria. I was compelled to lend it to her because she could not, or would not, leave my house in the rain without it. I had need of that umbrella, and I tried to make it as plain as the amenities of language permitted that I expected to have it returned. Maria said superciliously that she hated to see other people's umbrellas littering the house, which gave me a gleam of hope. Two months later I found my property in the hands of her ten-year-old son, who was being marshalled with his brothers and sisters to dancing-school. In the first joyful flash of recognition I cried, 'Oswald, that is my umbrella you are carrying!' whereupon Maria said still more superciliously than before, 'Oh, yes, don't you remember?' (as if reproaching me for my forgetfulness)--'you gave it to me that Saturday I lunched with you, and it rained so heavily. The boys carry it to school. Where there are children, you can't have too many old umbrellas at hand. They lose them so fast.' She spoke," continued my friend impressively, "as if she were harbouring my umbrella from pure kindness, and because she did not like to wound my feelings by sending it back to me. She made a virtue of giving it shelter."

This is the arrogance which places the borrower, as Charles Lamb discovered long ago, among the great ones of the earth, among those whom their brethren serve. Lamb loved to contrast the "instinctive sovereignty," the frank and open bearing of the man who borrows with the "lean and suspicious" aspect of the man who lends. He stood lost in admiration before the great borrowers of the world,--Alcibiades, Falstaff, Steele, and Sheridan; an incomparable quartette, to which might be added the shining names of William Godwin and Leigh Hunt. All the characteristic qualities of the class were united, indeed, in Leigh Hunt, as in no other single representative. Sheridan was an unrivalled companion,--could talk seven hours without making even Byron yawn. Steele was the most lovable of spendthrifts. Lending to these men was but a form of investment. They paid in a coinage of their own. But Leigh Hunt combined in the happiest manner a readiness to extract favours with a confirmed habit of never acknowledging the smallest obligation for them. He is a perfect example of the condescending borrower, of the man who permits his friends, as a pleasure to themselves, to relieve his necessities, and who knows nothing of gratitude or loyalty.

It would be interesting to calculate the amount of money which Hunt's friends and acquaintances contributed to his support in life. Shelley gave him at one time fourteen hundred pounds, an amount which the poet could ill spare; and, when he had no more to give, wrote in misery of spirit to Byron, begging a loan for his friend, and promising to repay it, as he feels tolerably sure that Hunt never will. Byron, generous at first, wearied after a time of his position in Hunt's commissariat (it was like pulling a man out of a river, he wrote to Moore, only to see him jump in again), and coldly withdrew. His withdrawal occasioned inconvenience, and has been sharply criticised. Hunt, says Sir Leslie Stephen, loved a cheerful giver, and Byron's obvious reluctance struck him as being in bad taste. His biographers, one and all, have sympathized with this point of view. Even Mr. Frederick Locker, from whom one would have expected a different verdict, has recorded his conviction that Hunt had probably been "sorely tried" by Byron.

It is characteristic of the preordained borrower, of the man who simply fulfils his destiny in life, that not his obligations only, but his anxieties and mortifications are shouldered by other men. Hunt was care-free and light-hearted; but there is a note akin to anguish in Shelley's petition to Byron, and in his shamefaced admission that he is himself too poor to relieve his friend's necessities. The correspondence of William Godwin's eminent contemporaries teem with projects to alleviate Godwin's needs. His debts were everybody's affair but his own. Sir James Mackintosh wrote to Rogers in the autumn of 1815, suggesting that Byron might be the proper person to pay them. Rogers, enchanted with the idea, wrote to Byron, proposing that the purchase money of "The Siege of Corinth" be devoted to this good purpose. Byron, with less enthusiasm, but resigned, wrote to Murray, directing him to forward the six hundred pounds to Godwin; and Murray, having always the courage of his convictions, wrote back, flatly refusing to do anything of the kind. In the end, Byron used the money to pay his own debts, thereby disgusting everybody but his creditors.

Six years later, however, we find him contributing to a fund which tireless philanthropists were raising for Godwin's relief. On this occasion all men of letters, poor as well as rich, were pressed into active service. Even Lamb, who had nothing of his own, wrote to the painter, Haydon, who had not a penny in the world, and begged him to beg Mrs. Coutts to pay Godwin's rent. He also confessed that he had sent "a very respectful letter"--on behalf of the rent--to Sir Walter Scott; and he explained naively that Godwin did not concern himself personally in the matter, because he "left all to his Committee,"--a peaceful thing to do.

But how did Godwin come to have a "committee" to raise money for him, when other poor devils had to raise it for themselves, or do without? He was not well-beloved. On the contrary, he bored all whom he did not affront. He was not grateful. On the contrary, he held gratitude to be a vice, as tending to make men "grossly partial" to those who have befriended them. His condescension kept pace with his demands. After his daughter's flight with Shelley, he expressed his just resentment by refusing to accept Shelley's cheque for a thousand pounds unless it were made payable to a third party, unless he could have the money without the formality of an acceptance. Like the great lords of Picardy, who had the "right of credit" from their loyal subjects, Godwin claimed his dues from every chance acquaintance. Crabb Robinson introduced him one evening to a gentleman named Rough. The next day both Godwin and Rough called upon their host, each man expressing his regard for the other, and each asking Robinson if he thought the other would be a likely person to lend him fifty pounds.

There are critics who hold that Haydon excelled all other borrowers known to fame; but his is not a career upon which an admirer of the art can look with pleasure. Haydon's debts hunted him like hounds, and if he pursued borrowing as a means of livelihood,--more lucrative than painting pictures which nobody would buy,--it was only because no third avocation presented itself as a possibility. He is not to be compared for a moment with a true expert like Sheridan, who borrowed for borrowing's sake, and without any sordid motive connected with rents or butchers' bills. Haydon would, indeed, part with his money as readily as if it belonged to him. He would hear an "inward voice" in church, urging him to give his last sovereign; and, having obeyed this voice "with as pure a feeling as ever animated a human heart," he had no resource but immediately to borrow another. It would have been well for him if he could have followed on such occasions the memorable example of Lady Cook, who was so impressed by a begging sermon that she borrowed a sovereign from Sydney Smith to put into the offertory; and--the gold once between her fingers--found herself equally unable to give it or to return it, so went home, a pound richer for her charitable impulse.

Haydon, too, would rob Peter to pay Paul, and rob Paul without paying Peter; but it was all after an intricate and troubled fashion of his own. On one occasion he borrowed ten pounds from Webb. Seven pounds he used to satisfy another creditor, from whom, on the strength of this payment, he borrowed ten pounds more to meet an impending bill. It sounds like a particularly confusing game; but it was a game played in dead earnest, and without the humorous touch which makes the charm of Lady Cook's, or of Sheridan's methods. Haydon would have been deeply grateful to his benefactors, had he not always stood in need of favours to come. Sheridan might perchance have been grateful, could he have remembered who his benefactors were. He laid the world under tribute; and because he had an aversion to opening his mail,--an aversion with which it is impossible not to sympathize,--he frequently made no use of the tribute when it was paid. Moore tells us that James Wesley once saw among a pile of papers on Sheridan's desk an unopened letter of his own, containing a ten-pound note, which he had lent Sheridan some weeks before. Wesley quietly took possession of the letter and the money, thereby raising a delicate, and as yet unsettled, question of morality. Had he a right to those ten pounds because they had once been his, or were they not rather Sheridan's property, destined in the natural and proper order of things never to be returned.

Yet men, even men of letters, have been known to pay their debts, and to restore borrowed property. Moore paid Lord Lansdowne every penny of the generous sum advanced by that nobleman after the defalcation of Moore's deputy in Bermuda. Dr. Johnson paid back ten pounds after a lapse of twenty years,--a pleasant shock to the lender,--and on his death-bed (having fewer sins than most of us to recall) begged Sir Joshua Reynolds to forgive him a trifling loan. It was the too honest return of a pair of borrowed sheets (unwashed) which first chilled Pope's friendship for Lady Mary Wortley Montagu. That excellent gossip, Miss Letitia Matilda Hawkins, who stands responsible for this anecdote, lamented all her life that her father, Sir John Hawkins, could never remember which of the friends borrowed and which lent the offending sheets; but it is a point easily settled in our minds. Pope was probably the last man in Christendom to have been guilty of such a misdemeanour, and Lady Mary was certainly the last woman in Christendom to have been affronted by it. Like Dr. Johnson, she had "no passion for clean linen."

Coleridge, though he went through life leaning his inert weight on other men's shoulders, did remember in some mysterious fashion to return the books he borrowed, enriched often, as Lamb proudly records, with marginal notes which tripled their value. His conduct in this regard was all the more praiseworthy inasmuch as the cobweb statutes which define books as personal property have never met with literal acceptance. Lamb's theory that books belong with the highest propriety to those who understand them best (a theory often advanced in defence of depredations which Lamb would have scorned to commit), was popular before the lamentable invention of printing. The library of Lucullus was, we are told, "open to all," and it would be interesting to know how many precious manuscripts remained ultimately in the great patrician's villa.

Richard Heber, that most princely of collectors, so well understood the perils of his position that he met them bravely by buying three copies of every book,--one for show, one for use, and one for the service of his friends. The position of the show-book seems rather melancholy, but perhaps, in time, it replaced the borrowed volume. Heber's generosity has been nobly praised by Scott, who contrasts the hard-heartedness of other bibliophiles, those "gripple niggards" who preferred holding on to their treasures, with his friend's careless liberality.

"Thy volumes, open as thy heart,
Delight, amusement, science, art,
To every ear and eye impart.
Yet who, of all who thus employ them,
Can, like the owner's self, enjoy them?"

The "gripple niggards" might have pleaded feebly in their own behalf that they could not all afford to spend, like Heber, a hundred thousand pounds in the purchase of books; and that an occasional reluctance to part with some hard-earned, hard-won volume might be pardonable in one who could not hope to replace it. Lamb's books were the shabbiest in Christendom; yet how keen was his pang when Charles Kemble carried off the letters of "that princely woman, the thrice noble Margaret Newcastle," an "illustrious folio" which he well knew Kemble would never read. How bitterly he bewailed his rashness in extolling the beauties of Sir Thomas Browne's "Urn Burial" to a guest who was so moved by this eloquence that he promptly borrowed the volume. "But so," sighed Lamb, "have I known a foolish lover to praise his mistress in the presence of a rival more qualified to carry her off than himself."

Johnson cherished a dim conviction that because he read, and Garrick did not, the proper place for Garrick's books was on his--Johnson's--bookshelves; a point which could never be settled between the two friends, and which came near to wrecking their friendship. Garrick loved books with the chilly yet imperative love of the collector. Johnson loved them as he loved his soul. Garrick took pride in their sumptuousness, in their immaculate, virginal splendour. Johnson gathered them to his heart with scant regard for outward magnificence, for the glories of calf and vellum. Garrick bought books. Johnson borrowed them. Each considered that he had a prior right to the objects of his legitimate affection. We, looking back with softened hearts, are fain to think that we should have held our volumes doubly dear if they had lain for a time by Johnson's humble hearth, if he had pored over them at three o'clock in the morning, and had left sundry tokens--grease-spots and spatterings of snuff--upon many a spotless page. But it is hardly fair to censure Garrick for not dilating with these emotions.

Johnson's habit of flinging the volumes which displeased him into remote and dusty corners of the room was ill calculated to inspire confidence, and his powers of procrastination were never more marked than in the matter of restoring borrowed books. We know from Cradock's "Memoirs" how that gentleman, having induced Lord Harborough to lend him a superb volume of manuscripts, containing the poems of James the First, proceeded to re-lend this priceless treasure to Johnson. When it was not returned--as of course it was not--he wrote an urgent letter, and heard to his dismay that Johnson was not only unable to find the book, but that he could not remember having ever received it. The despairing Cradock applied to all his friends for help; and George Steevens, who had a useful habit of looking about him, suggested that a sealed packet, which he had several times observed lying under Johnson's ponderous inkstand, might possibly contain the lost manuscript. Even with this ray of hope for guidance, it never seemed to occur to any one to storm Johnson's fortress, and rescue the imprisoned volume; but after the Doctor's death, two years later, Cradock made a formal application to the executors; and Lord Harborough's property was discovered under the inkstand, unopened, unread, and consequently, as by a happy miracle, uninjured.

Such an incident must needs win pardon for Garrick's churlishness in defending his possessions. "The history of book-collecting," says a caustic critic, "is a history relieved but rarely by acts of pure and undiluted unselfishness." This is true, but are there not virtues so heroic that plain human nature can ill aspire to compass them?

There is something piteous in the futile efforts of reluctant lenders to save their property from depredation. They place their reliance upon artless devices which never yet were known to stay the marauder's hand. They have their names and addresses engraved on foolish little plates, which, riveted to their umbrellas, will, they think, suffice to insure the safety of these useful articles. As well might the border farmer have engraved his name and address on the collars of his grazing herds, in the hope that the riever would respect this symbol of authority. The history of book-plates is largely the history of borrower versus lender. The orderly mind is wont to believe that a distinctive mark, irrevocably attached to every volume, will insure permanent possession. Mr. Gosse, for example, has expressed a touching faith in the efficacy of the book-plate. He has but to explain that he "makes it a rule" never to lend a volume thus decorated, and the would-be borrower bows to this rule as to a decree of fate. "To have a book-plate," he joyfully observes, "gives a collector great serenity and confidence."

Is it possible that the world has grown virtuous without our observing it? Can it be that the old stalwart race of book-borrowers, those "spoilers of the symmetry of shelves," are foiled by so childish an expedient? Imagine Dr. Johnson daunted by a scrap of pasted paper! Or Coleridge, who seldom went through the formality of asking leave, but borrowed armfuls of books in the absence of their legitimate owners! How are we to account for the presence of book-plates--quite a pretty collection at times--on the shelves of men who possess no such toys of their own? When I was a girl I had access to a small and well-chosen library (not greatly exceeding Montaigne's fourscore volumes), each book enriched with an appropriate device of scaly dragon guarding the apples of Hesperides. Beneath the dragon was the motto (Johnsonian in form if not in substance), "Honour and Obligation demand the prompt return of borrowed Books." These words ate into my innocent soul, and lent a pang to the sweetness of possession. Doubts as to the exact nature of "prompt return" made me painfully uncertain as to whether a month, a week, or a day were the limit which Honour and Obligation had set for me. But other and older borrowers were less sensitive, and I have reason to believe that--books being a rarity in that little Southern town--most of the volumes were eventually absorbed by the gaping shelves of neighbours. Perhaps even now (their generous owner long since dead) these worn copies of Boswell, of Elia, of Herrick, and Moore, may still stand forgotten in dark and dusty corners, like gems that magpies hide.

It is vain to struggle with fate, with the elements, and with the borrower; it is folly to claim immunity from a fundamental law, to boast of our brief exemption from the common lot. "Lend therefore cheerfully, O man ordained to lend. When thou seest the proper authority coming, meet it smilingly, as it were halfway." Resistance to an appointed force is but a futile waste of strength.

[The end]
Agnes Repplier's essay: The Condescension Of Borrowers