Useless Beauty

Useless Beauty

I

About half-past five one afternoon at the end of June when the sun was
shining warm and bright into the large courtyard, a very elegant victoria
with two beautiful black horses drew up in front of the mansion.

The Comtesse de Mascaret came down the steps just as her husband, who was
coming home, appeared in the carriage entrance. He stopped for a few
moments to look at his wife and turned rather pale. The countess was
very beautiful, graceful and distinguished looking, with her long oval
face, her complexion like yellow ivory, her large gray eyes and her black
hair; and she got into her carriage without looking at him, without even
seeming to have noticed him, with such a particularly high-bred air, that
the furious jealousy by which he had been devoured for so long again
gnawed at his heart. He went up to her and said: "You are going for a
drive?"

She merely replied disdainfully: "You see I am!"

"In the Bois de Boulogne?"

"Most probably."

"May I come with you?"

"The carriage belongs to you."

Without being surprised at the tone in which she answered him, he got in
and sat down by his wife's side and said: "Bois de Boulogne." The
footman jumped up beside the coachman, and the horses as usual pranced
and tossed their heads until they were in the street. Husband and wife
sat side by side without speaking. He was thinking how to begin a
conversation, but she maintained such an obstinately hard look that he
did not venture to make the attempt. At last, however, he cunningly,
accidentally as it were, touched the countess' gloved hand with his own,
but she drew her arm away with a movement which was so expressive of
disgust that he remained thoughtful, in spite of his usual authoritative
and despotic character, and he said: "Gabrielle!"

"What do you want?"

"I think you are looking adorable."

She did not reply, but remained lying back in the carriage, looking like
an irritated queen. By that time they were driving up the Champs
Elysees, toward the Arc de Triomphe. That immense monument, at the end
of the long avenue, raised its colossal arch against the red sky and the
sun seemed to be descending on it, showering fiery dust on it from the
sky.

The stream of carriages, with dashes of sunlight reflected in the silver
trappings of the harness and the glass of the lamps, flowed on in a
double current toward the town and toward the Bois, and the Comte de
Mascaret continued: "My dear Gabrielle!"

Unable to control herself any longer, she replied in an exasperated
voice: "Oh! do leave me in peace, pray! I am not even allowed to have
my carriage to myself now." He pretended not to hear her and continued:
"You never have looked so pretty as you do to-day."

Her patience had come to an end, and she replied with irrepressible
anger: "You are wrong to notice it, for I swear to you that I will never
have anything to do with you in that way again."

The count was decidedly stupefied and upset, and, his violent nature
gaining the upper hand, he exclaimed: "What do you mean by that?" in a
tone that betrayed rather the brutal master than the lover. She replied
in a low voice, so that the servants might not hear amid the deafening
noise of the wheels: "Ah! What do I mean by that? What do I mean by
that? Now I recognize you again! Do you want me to tell everything?"

"Yes."

"Everything that has weighed on my heart since I have been the victim of
your terrible selfishness?"

He had grown red with surprise and anger and he growled between his
closed teeth: "Yes, tell me everything."

He was a tall, broad-shouldered man, with a big red beard, a handsome
man, a nobleman, a man of the world, who passed as a perfect husband and
an excellent father, and now, for the first time since they had started,
she turned toward him and looked him full in the face: "Ah! You will
hear some disagreeable things, but you must know that I am prepared for
everything, that I fear nothing, and you less than any one to-day."

He also was looking into her eyes and was already shaking with rage as he
said in a low voice: "You are mad."

"No, but I will no longer be the victim of the hateful penalty of
maternity, which you have inflicted on me for eleven years! I wish to
take my place in society as I have the right to do, as all women have the
right to do."

He suddenly grew pale again and stammered: "I do not understand you."

"Oh! yes; you understand me well enough. It is now three months since I
had my last child, and as I am still very beautiful, and as, in spite of
all your efforts you cannot spoil my figure, as you just now perceived,
when you saw me on the doorstep, you think it is time that I should think
of having another child."

"But you are talking nonsense!"

"No, I am not, I am thirty, and I have had seven children, and we have
been married eleven years, and you hope that this will go on for ten
years longer, after which you will leave off being jealous."

He seized her arm and squeezed it, saying: "I will not allow you to talk
to me like that much longer."

"And I shall talk to you till the end, until I have finished all I have
to say to you, and if you try to prevent me, I shall raise my voice so
that the two servants, who are on the box, may hear. I only allowed you
to come with me for that object, for I have these witnesses who will
oblige you to listen to me and to contain yourself, so now pay attention
to what I say. I have always felt an antipathy to you, and I have always
let you see it, for I have never lied, monsieur. You married me in spite
of myself; you forced my parents, who were in embarrassed circumstances,
to give me to you, because you were rich, and they obliged me to marry
you in spite of my tears.

"So you bought me, and as soon as I was in your power, as soon as I had
become your companion, ready to attach myself to you, to forget your
coercive and threatening proceedings, in order that I might only remember
that I ought to be a devoted wife and to love you as much as it might be
possible for me to love you, you became jealous, you, as no man has ever
been before, with the base, ignoble jealousy of a spy, which was as
degrading to you as it was to me. I had not been married eight months
when you suspected me of every perfidiousness, and you even told me so.
What a disgrace! And as you could not prevent me from being beautiful
and from pleasing people, from being called in drawing-rooms and also in
the newspapers one of the most beautiful women in Paris, you tried
everything you could think of to keep admirers from me, and you hit upon
the abominable idea of making me spend my life in a constant state of
motherhood, until the time should come when I should disgust every man.
Oh, do not deny it. I did not understand it for some time, but then I
guessed it. You even boasted about it to your sister, who told me of it,
for she is fond of me and was disgusted at your boorish coarseness.

"Ah! Remember how you have behaved in the past! How for eleven years
you have compelled me to give up all society and simply be a mother to
your children. And then you would grow disgusted with me and I was sent
into the country, the family chateau, among fields and meadows. And when
I reappeared, fresh, pretty and unspoiled, still seductive and constantly
surrounded by admirers, hoping that at last I should live a little more
like a rich young society woman, you were seized with jealousy again, and
you began once more to persecute me with that infamous and hateful desire
from which you are suffering at this moment by my side. And it is not
the desire of possessing me--for I should never have refused myself to
you, but it is the wish to make me unsightly.

"And then that abominable and mysterious thing occurred which I was a
long time in understanding (but I grew sharp by dint of watching your
thoughts and actions): You attached yourself to your children with all
the security which they gave you while I bore them. You felt affection
for them, with all your aversion to me, and in spite of your ignoble
fears, which were momentarily allayed by your pleasure in seeing me lose
my symmetry.

"Oh! how often have I noticed that joy in you! I have seen it in your
eyes and guessed it. You loved your children as victories, and not
because they were of your own blood. They were victories over me, over
my youth, over my beauty, over my charms, over the compliments which were
paid me and over those that were whispered around me without being paid
to me personally. And you are proud of them, you make a parade of them,
you take them out for drives in your break in the Bois de Boulogne and
you give them donkey rides at Montmorency. You take them to theatrical
matinees so that you may be seen in the midst of them, so that the people
may say: 'What a kind father' and that it may be repeated----"

He had seized her wrist with savage brutality, and he squeezed it so
violently that she was quiet and nearly cried out with the pain and he
said to her in a whisper:

"I love my children, do you hear? What you have just told me is
disgraceful in a mother. But you belong to me; I am master--your master
--I can exact from you what I like and when I like--and I have the law-on
my side."

He was trying to crush her fingers in the strong grip of his large,
muscular hand, and she, livid with pain, tried in vain to free them from
that vise which was crushing them. The agony made her breathe hard and
the tears came into her eyes. "You see that I am the master and the
stronger," he said. When he somewhat loosened his grip, she asked him:
"Do you think that I am a religious woman?"

He was surprised and stammered "Yes."

"Do you think that I could lie if I swore to the truth of anything to you
before an altar on which Christ's body is?"

"No."

"Will you go with me to some church?"

"What for?"

"You shall see. Will you?"

"If you absolutely wish it, yes."

She raised her voice and said: "Philippe!" And the coachman, bending down
a little, without taking his eyes from his horses, seemed to turn his ear
alone toward his mistress, who continued: "Drive to St. Philippe-du-
Roule." And the-victoria, which had reached the entrance of the Bois de
Boulogne returned to Paris.

Husband and wife did not exchange a word further during the drive, and
when the carriage stopped before the church Madame de Mascaret jumped out
and entered it, followed by the count, a few yards distant. She went,
without stopping, as far as the choir-screen, and falling on her knees at
a chair, she buried her face in her hands. She prayed for a long time,
and he, standing behind her could see that she was crying. She wept
noiselessly, as women weep when they are in great, poignant grief. There
was a kind of undulation in her body, which ended in a little sob, which
was hidden and stifled by her fingers.

But the Comte de Mascaret thought that the situation was lasting too
long, and he touched her on the shoulder. That contact recalled her to
herself, as if she had been burned, and getting up, she looked straight
into his eyes. "This is what I have to say to you. I am afraid of
nothing, whatever you may do to me. You may kill me if you like. One of
your children is not yours, and one only; that I swear to you before God,
who hears me here. That was the only revenge that was possible for me in
return for all your abominable masculine tyrannies, in return for the
penal servitude of childbearing to which you have condemned me. Who was
my lover? That you never will know! You may suspect every one, but you
never will find out. I gave myself to him, without love and without
pleasure, only for the sake of betraying you, and he also made me a
mother. Which is the child? That also you never will know. I have
seven; try to find out! I intended to tell you this later, for one has
not avenged oneself on a man by deceiving him, unless he knows it. You
have driven me to confess it today. I have now finished."

She hurried through the church toward the open door, expecting to hear
behind her the quick step: of her husband whom she had defied and to be
knocked to the ground by a blow of his fist, but she heard nothing and
reached her carriage. She jumped into it at a bound, overwhelmed with
anguish and breathless with fear. So she called out to the coachman:
"Home!" and the horses set off at a quick trot.

II

The Comtesse de Mascaret was waiting in her room for dinner time as a
criminal sentenced to death awaits the hour of his execution. What was
her husband going to do? Had he come home? Despotic, passionate, ready
for any violence as he was, what was he meditating, what had he made up
his mind to do? There was no sound in the house, and every moment she
looked at the clock. Her lady's maid had come and dressed her for the
evening and had then left the room again. Eight o'clock struck and
almost at the same moment there were two knocks at the door, and the
butler came in and announced dinner.

"Has the count come in?"

"Yes, Madame la Comtesse. He is in the diningroom."

For a little moment she felt inclined to arm herself with a small
revolver which she had bought some time before, foreseeing the tragedy
which was being rehearsed in her heart. But she remembered that all the
children would be there, and she took nothing except a bottle of smelling
salts. He rose somewhat ceremoniously from his chair. They exchanged a
slight bow and sat down. The three boys with their tutor, Abbe Martin,
were on her right and the three girls, with Miss Smith, their English
governess, were on her left. The youngest child, who was only three
months old, remained upstairs with his nurse.

The abbe said grace as usual when there was no company, for the children
did not come down to dinner when guests were present. Then they began
dinner. The countess, suffering from emotion, which she had not
calculated upon, remained with her eyes cast down, while the count
scrutinized now the three boys and now the three girls. with an
uncertain, unhappy expression, which travelled from one to the other.
Suddenly pushing his wineglass from him, it broke, and the wine was spilt
on the tablecloth, and at the slight noise caused by this little accident
the countess started up from her chair; and for the first time they
looked at each other. Then, in spite of themselves, in spite of the
irritation of their nerves caused by every glance, they continued to
exchange looks, rapid as pistol shots.

The abbe, who felt that there was some cause for embarrassment which he
could not divine, attempted to begin a conversation and tried various
subjects, but his useless efforts gave rise to no ideas and did not bring
out a word. The countess, with feminine tact and obeying her instincts
of a woman of the world, attempted to answer him two or three times, but
in vain. She could not find words, in the perplexity of her mind, and
her own voice almost frightened her in the silence of the large room,
where nothing was heard except the slight sound of plates and knives and
forks.

Suddenly her husband said to her, bending forward: "Here, amid your
children, will you swear to me that what you told me just now is true?"

The hatred which was fermenting in her veins suddenly roused her, and
replying to that question with the same firmness with which she had
replied to his looks, she raised both her hands, the right pointing
toward the boys and the left toward the girls, and said in a firm,
resolute voice and without any hesitation: "On the head of my children,
I swear that I have told you the truth."

He got up and throwing his table napkin on the table with a movement of
exasperation, he turned round and flung his chair against the wall, and
then went out without another word, while she, uttering a deep sigh, as
if after a first victory, went on in a calm voice: "You must not pay any
attention to what your father has just said, my darlings; he was very
much upset a short time ago, but he will be all right again in a few
days."

Then she talked with the abbe and Miss Smith and had tender, pretty words
for all her children, those sweet, tender mother's ways which unfold
little hearts.

When dinner was over she went into the drawing-room, all her children
following her. She made the elder ones chatter, and when their bedtime
came she kissed them for a long time and then went alone into her room.

She waited, for she had no doubt that the count would come, and she made
up her mind then, as her children were not with her, to protect herself
as a woman of the world as she would protect her life, and in the pocket
of her dress she put the little loaded revolver which she had bought a
few days previously. The hours went by, the hours struck, and every
sound was hushed in the house. Only the cabs, continued to rumble
through the streets, but their noise was only heard vaguely through the
shuttered and curtained windows.

She waited, full of nervous energy, without any fear of him now, ready
for anything, and almost triumphant, for she had found means of torturing
him continually during every moment of his life.

But the first gleam of dawn came in through the fringe at the bottom of
her curtain without his having come into her room, and then she awoke to
the fact, with much amazement, that he was not coming. Having locked and
bolted her door, for greater security, she went to bed at last and
remained there, with her eyes open, thinking and barely understanding it
all, without being able to guess what he was going to do.

When her maid brought her tea she at the same time handed her a letter
from her husband. He told her that he was going to undertake a longish
journey and in a postscript added that his lawyer would provide her with
any sums of money she might require for all her expenses.

III

It was at the opera, between two acts of "Robert the Devil." In the
stalls the men were standing up, with their hats on, their waistcoats cut
very low so as to show a large amount of white shirt front, in which gold
and jewelled studs glistened, and were looking at the boxes full of
ladies in low dresses covered with diamonds and pearls, who were
expanding like flowers in that illuminated hothouse, where the beauty of
their faces and the whiteness of their shoulders seemed to bloom in order
to be gazed at, amid the sound of the music and of human voices.

Two friends, with their backs to the orchestra, were scanning those rows
of elegance, that exhibition of real or false charms, of jewels, of
luxury and of pretension which displayed itself in all parts of the Grand
Theatre, and one of them, Roger de Salnis, said to his companion, Bernard
Grandin:

"Just look how beautiful the Comtesse de Mascaret still is."

The older man in turn looked through his opera glasses at a tall lady in
a box opposite. She appeared to be still very young, and her striking
beauty seemed to attract all eyes in every corner of the house. Her pale
complexion, of an ivory tint, gave her the appearance of a statue, while
a small diamond coronet glistened on her black hair like a streak of
light.

When he had looked at her for some time, Bernard Grandin replied with a
jocular accent of sincere conviction: "You may well call her beautiful!"

"How old do you think she is?"

"Wait a moment. I can tell you exactly, for I have known her since she
was a child and I saw her make her debut into society when she was quite
a girl. She is--she is--thirty--thirty-six."

"Impossible!"

"I am sure of it."

"She looks twenty-five."

"She has had seven children."

"It is incredible."

"And what is more, they are all seven alive, as she is a very good
mother. I occasionally go to the house, which is a very quiet and
pleasant one, where one may see the phenomenon of the family in the midst
of society."

"How very strange! And have there never been any reports about her?"

"Never."

"But what about her husband? He is peculiar, is he not?"

"Yes and no. Very likely there has been a little drama between them, one
of those little domestic dramas which one suspects, never finds out
exactly, but guesses at pretty closely."

"What is it?"

"I do not know anything about it. Mascaret leads a very fast life now,
after being a model husband. As long as he remained a good spouse he had
a shocking temper, was crabbed and easily took offence, but since he has
been leading his present wild life he has become quite different, But one
might surmise that he has some trouble, a worm gnawing somewhere, for he
has aged very much."

Thereupon the two friends talked philosophically for some minutes about
the secret, unknowable troubles which differences of character or perhaps
physical antipathies, which were not perceived at first, give rise to in
families, and then Roger de Salnis, who was still looking at Madame de
Mascaret through his opera glasses, said: "It is almost incredible that
that woman can have had seven children!"

"Yes, in eleven years; after which, when she was thirty, she refused to
have any more, in order to take her place in society, which she seems
likely to do for many years."

"Poor women!"

"Why do you pity them?"

"Why? Ah! my dear fellow, just consider! Eleven years in a condition of
motherhood for such a woman! What a hell! All her youth, all her
beauty, every hope of success, every poetical ideal of a brilliant life
sacrificed to that abominable law of reproduction which turns the normal
woman into a mere machine for bringing children into the world."

"What would you have? It is only Nature!"

"Yes, but I say that Nature is our enemy, that we must always fight
against Nature, for she is continually bringing us back to an animal
state. You may be sure that God has not put anything on this earth that
is clean, pretty, elegant or accessory to our ideal; the human brain has
done it. It is man who has introduced a little grace, beauty, unknown
charm and mystery into creation by singing about it, interpreting it, by
admiring it as a poet, idealizing it as an artist and by explaining it
through science, doubtless making mistakes, but finding ingenious
reasons, hidden grace and beauty, unknown charm and mystery in the
various phenomena of Nature. God created only coarse beings, full of the
germs of disease, who, after a few years of bestial enjoyment, grow old
and infirm, with all the ugliness and all the want of power of human
decrepitude. He seems to have made them only in order that they may
reproduce their species in an ignoble manner and then die like ephemeral
insects. I said reproduce their species in an ignoble manner and I
adhere to that expression. What is there as a matter of fact more
ignoble and more repugnant than that act of reproduction of living
beings, against which all delicate minds always have revolted and always
will revolt? Since all the organs which have been invented by this
economical and malicious Creator serve two purposes, why did He not
choose another method of performing that sacred mission, which is the
noblest and the most exalted of all human functions? The mouth, which
nourishes the body by means of material food, also diffuses abroad speech
and thought. Our flesh renews itself of its own accord, while we are
thinking about it. The olfactory organs, through which the vital air
reaches the lungs, communicate all the perfumes of the world to the
brain: the smell of flowers, of woods, of trees, of the sea. The ear,
which enables us to communicate with our fellow men, has also allowed us
to invent music, to create dreams, happiness, infinite and even physical
pleasure by means of sound! But one might say that the cynical and
cunning Creator wished to prohibit man from ever ennobling and idealizing
his intercourse with women. Nevertheless man has found love, which is
not a bad reply to that sly Deity, and he has adorned it with so much
poetry that woman often forgets the sensual part of it. Those among us
who are unable to deceive themselves have invented vice and refined
debauchery, which is another way of laughing at God and paying homage,
immodest homage, to beauty.

"But the normal man begets children just like an animal coupled with
another by law.

"Look at that woman! Is it not abominable to think that such a jewel,
such a pearl, born to be beautiful, admired, feted and adored, has spent
eleven years of her life in providing heirs for the Comte de Mascaret?"

Bernard Grandin replied with a laugh: "There is a great deal of truth in
all that, but very few people would understand you."

Salnis became more and more animated. "Do you know how I picture God
myself?" he said. "As an enormous, creative organ beyond our ken, who
scatters millions of worlds into space, just as one single fish would
deposit its spawn in the sea. He creates because it is His function as
God to do so, but He does not know what He is doing and is stupidly
prolific in His work and is ignorant of the combinations of all kinds
which are produced by His scattered germs. The human mind is a lucky
little local, passing accident which was totally unforeseen, and
condemned to disappear with this earth and to recommence perhaps here or
elsewhere the same or different with fresh combinations of eternally new
beginnings. We owe it to this little lapse of intelligence on His part
that we are very uncomfortable in this world which was not made for us,
which had not been prepared to receive us, to lodge and feed us or to
satisfy reflecting beings, and we owe it to Him also that we have to
struggle without ceasing against what are still called the designs of
Providence, when we are really refined and civilized beings."

Grandin, who was listening to him attentively as he had long known the
surprising outbursts of his imagination, asked him: "Then you believe
that human thought is the spontaneous product of blind divine
generation?"

"Naturally! A fortuitous function of the nerve centres of our brain,
like the unforeseen chemical action due to new mixtures and similar also
to a charge of electricity, caused by friction or the unexpected
proximity of some substance, similar to all phenomena caused by the
infinite and fruitful fermentation of living matter.

"But, my dear fellow, the truth of this must be evident to any one who
looks about him. If the human mind, ordained by an omniscient Creator,
had been intended to be what it has become, exacting, inquiring,
agitated, tormented--so different from mere animal thought and
resignation--would the world which was created to receive the beings
which we now are have been this unpleasant little park for small game,
this salad patch, this wooded, rocky and spherical kitchen garden where
your improvident Providence had destined us to live naked, in caves or
under trees, nourished on the flesh of slaughtered animals, our brethren,
or on raw vegetables nourished by the sun and the rain?

"But it is sufficient to reflect for a moment, in order to understand
that this world was not made for such creatures as we are. Thought,
which is developed by a miracle in the nerves of the cells in our brain,
powerless, ignorant and confused as it is, and as it will always remain,
makes all of us who are intellectual beings eternal and wretched exiles
on earth.

"Look at this earth, as God has given it to those who inhabit it. Is it
not visibly and solely made, planted and covered with forests for the
sake of animals? What is there for us? Nothing. And for them,
everything, and they have nothing to do but to eat or go hunting and eat
each other, according to their instincts, for God never foresaw
gentleness and peaceable manners; He only foresaw the death of creatures
which were bent on destroying and devouring each other. Are not the
quail, the pigeon and the partridge the natural prey of the hawk? the
sheep, the stag and the ox that of the great flesh-eating animals, rather
than meat to be fattened and served up to us with truffles, which have
been unearthed by pigs for our special benefit?

"As to ourselves, the more civilized, intellectual and refined we are,
the more we ought to conquer and subdue that animal instinct, which
represents the will of God in us. And so, in order to mitigate our lot
as brutes, we have discovered and made everything, beginning with houses,
then exquisite food, sauces, sweetmeats, pastry, drink, stuffs, clothes,
ornaments, beds, mattresses, carriages, railways and innumerable
machines, besides arts and sciences, writing and poetry. Every ideal
comes from us as do all the amenities of life, in order to make our
existence as simple reproducers, for which divine Providence solely
intended us, less monotonous and less hard.

"Look at this theatre. Is there not here a human world created by us,
unforeseen and unknown to eternal fate, intelligible to our minds alone,
a sensual and intellectual distraction, which has been invented solely by
and for that discontented and restless little animal, man?

"Look at that woman, Madame de Mascaret. God intended her to live in a
cave, naked or wrapped up in the skins of wild animals. But is she not
better as she is? But, speaking of her, does any one know why and how
her brute of a husband, having such a companion by his side, and
especially after having been boorish enough to make her a mother seven
times, has suddenly left her, to run after bad women?"

Grandin replied: "Oh! my dear fellow, this is probably the only reason.
He found that raising a family was becoming too expensive, and from
reasons of domestic economy he has arrived at the same principles which
you lay down as a philosopher."

Just then the curtain rose for the third act, and they turned round, took
off their hats and sat down.

IV

The Comte and Comtesse Mascaret were sitting side by side in the carriage
which was taking them home from the Opera, without speaking but suddenly
the husband said to his wife: "Gabrielle!"

"What do you want?"

"Don't you think that this has lasted long enough?"

"What?"

"The horrible punishment to which you have condemned me for the last six
years?"

"What do you want? I cannot help it."

"Then tell me which of them it is."

"Never."

"Think that I can no longer see my children or feel them round me,
without having my heart burdened with this doubt. Tell me which of them
it is, and I swear that I will forgive you and treat it like the others."

"I have not the right to do so."

"Do you not see that I can no longer endure this life, this thought which
is wearing me out, or this question which I am constantly asking myself,
this question which tortures me each time I look at them? It is driving
me mad."

"Then you have suffered a great deal?" she said.

"Terribly. Should I, without that, have accepted the horror of living by
your side, and the still greater horror of feeling and knowing that there
is one among them whom I cannot recognize and who prevents me from loving
the others?"

"Then you have really suffered very much?" she repeated.

And he replied in a constrained and sorrowful voice:

"Yes, for do I not tell you every day that it is intolerable torture to
me? Should I have remained in that house, near you and them, if I did
not love them? Oh! You have behaved abominably toward me. All the
affection of my heart I have bestowed upon my children, and that you
know. I am for them a father of the olden time, as I was for you a
husband of one of the families of old, for by instinct I have remained a
natural man, a man of former days. Yes, I will confess it, you have made
me terribly jealous, because you are a woman of another race, of another
soul, with other requirements. Oh! I shall never forget the things you
said to me, but from that day I troubled myself no more about you. I did
not kill you, because then I should have had no means on earth of ever
discovering which of our--of your children is not mine. I have waited,
but I have suffered more than you would believe, for I can no longer
venture to love them, except, perhaps, the two eldest; I no longer
venture to look at them, to call them to me, to kiss them; I cannot take
them on my knee without asking myself, 'Can it be this one?' I have been
correct in my behavior toward you for six years, and even kind and
complaisant. Tell me the truth, and I swear that I will do nothing
unkind."

He thought, in spite of the darkness of the carriage, that he could
perceive that she was moved, and feeling certain that she was going to
speak at last, he said: "I beg you, I beseech you to tell me" he said.

"I have been more guilty than you think perhaps," she replied, "but I
could no longer endure that life of continual motherhood, and I had only
one means of driving you from me. I lied before God and I lied, with my
hand raised to my children's head, for I never have wronged you."

He seized her arm in the darkness, and squeezing it as he had done on
that terrible day of their drive in the Bois de Boulogne, he stammered:

"Is that true?"

"It is true."

But, wild with grief, he said with a groan: "I shall have fresh doubts
that will never end! When did you lie, the last time or now? How am I
to believe you at present? How can one believe a woman after that? I
shall never again know what I am to think. I would rather you had said
to me, 'It is Jacques or it is Jeanne.'"

The carriage drove into the courtyard of the house and when it had drawn
up in front of the steps the count alighted first, as usual, and offered
his wife his arm to mount the stairs. As soon as they reached the first
floor he said: "May I speak to you for a few moments longer?" And she
replied, "I am quite willing."

They went into a small drawing-room and a footman, in some surprise,
lighted the wax candles. As soon as he had left the room and they were
alone the count continued: "How am I to know the truth? I have begged you
a thousand times to speak, but you have remained dumb, impenetrable,
inflexible, inexorable, and now to-day you tell me that you have been
lying. For six years you have actually allowed me to believe such a
thing! No, you are lying now, I do not know why, but out of pity for me,
perhaps?"

She replied in a sincere and convincing manner: "If I had not done so, I
should have had four more children in the last six years!"

"Can a mother speak like that?"

"Oh!" she replied, "I do not feel that I am the mother of children who
never have been born; it is enough for me to be the mother of those that
I have and to love them with all my heart. I am a woman of the civilized
world, monsieur--we all are--and we are no longer, and we refuse to be,
mere females to restock the earth."

She got up, but he seized her hands. "Only one word, Gabrielle. Tell me
the truth!"

"I have just told you. I never have dishonored you."

He looked her full in the face, and how beautiful she was, with her gray
eyes, like the cold sky. In her dark hair sparkled the diamond coronet,
like a radiance. He suddenly felt, felt by a kind of intuition, that
this grand creature was not merely a being destined to perpetuate the
race, but the strange and mysterious product of all our complicated
desires which have been accumulating in us for centuries but which have
been turned aside from their primitive and divine object and have
wandered after a mystic, imperfectly perceived and intangible beauty.
There are some women like that, who blossom only for our dreams, adorned
with every poetical attribute of civilization, with that ideal luxury,
coquetry and esthetic charm which surround woman, a living statue that
brightens our life.

Her husband remained standing before her, stupefied at his tardy and
obscure discovery, confusedly hitting on the cause of his former jealousy
and understanding it all very imperfectly, and at last lie said: "I
believe you, for I feel at this moment that you are not lying, and before
I really thought that you were."

She put out her hand to him: "We are friends then?"

He took her hand and kissed it and replied: "We are friends. Thank you,
Gabrielle."

Then he went out, still looking at her, and surprised that she was still
so beautiful and feeling a strange emotion arising in him.

-THE END-
Guy De Maupassant's short story: Useless Beauty

GO TO TOP OF SCREEN