Chapter I - Containing the exordium, &c.
The various accidents which befel a very worthy couple after their
uniting in the state of matrimony will be the subject of the following
history. The distresses which they waded through were some of them so
exquisite, and the incidents which produced these so extraordinary,
that they seemed to require not only the utmost malice, but the utmost
invention, which superstition hath ever attributed to Fortune: though
whether any such being interfered in the case, or, indeed, whether
there be any such being in the universe, is a matter which I by no
means presume to determine in the affirmative. To speak a bold truth,
I am, after much mature deliberation, inclined to suspect that the
public voice hath, in all ages, done much injustice to Fortune, and
hath convicted her of many facts in which she had not the least
concern. I question much whether we may not, by natural means, account
for the success of knaves, the calamities of fools, with all the
miseries in which men of sense sometimes involve themselves, by
quitting the directions of Prudence, and following the blind guidance
of a predominant passion; in short, for all the ordinary phenomena
which are imputed to Fortune; whom, perhaps, men accuse with no less
absurdity in life, than a bad player complains of ill luck at the game
of chess.
But if men are sometimes guilty of laying improper blame on this
imaginary being, they are altogether as apt to make her amends by
ascribing to her honours which she as little deserves. To retrieve the
ill consequences of a foolish conduct, and by struggling manfully with
distress to subdue it, is one of the noblest efforts of wisdom and
virtue. Whoever, therefore, calls such a man fortunate, is guilty of
no less impropriety in speech than he would be who should call the
statuary or the poet fortunate who carved a Venus or who writ an
Iliad.
Life may as properly be called an art as any other; and the great
incidents in it are no more to be considered as mere accidents than
the several members of a fine statue or a noble poem. The critics in
all these are not content with seeing anything to be great without
knowing why and how it came to be so. By examining carefully the
several gradations which conduce to bring every model to perfection,
we learn truly to know that science in which the model is formed: as
histories of this kind, therefore, may properly be called models of
_human life_, so, by observing minutely the several incidents which
tend to the catastrophe or completion of the whole, and the minute
causes whence those incidents are produced, we shall best be
instructed in this most useful of all arts, which I call the _art
_ of _life_.
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